Eliot Wayne – New Alternative Rock – Southern Rock – Heavy Blues Rock – New Artists
http://www.eliotwaynemusic.com – Video shot by Alex Henley / http://www.ensiteaustin.com videos.
Best New artists. New Alternative rock. New Southern Rock. Heavy. Blues Guitar. Solo. American. bands. Great voices. Vocalists. Vocals good beat. groove. New Music. Hits. Original. Songs. Hard Rock. Indie. Pop. New Rock. Best. New country blues. Texas. Austin. Top. Ten. Extraordinaire. Cool. United States. Hits. Adult Contemporary. Best Unsigned unknown singers. retro. bands. Favorite. New rock music.. American. Original bands. 2011 Songs. New alt rock. Great Guitarists. English influenced. UK. Guitar players. Brannen Temple. Incredible Drummers. Nick Louis. Bass players. Amazing. bands. Awesome. Rock. Most powerful. Fender telecaster. Soulful Singers. R & B. Colossal Cable. Power Soul. Post-Grunge. United Kingdom. Australia. South Africa.
Duration : 0:2:34
John Coltrane Quartet- Afro Blue
John Coltrane, McCoy Tyner, Jimmy Garrison, Elvin Jones
“Afro Blue”
(1963)
Duration : 0:7:7
La Dispute- Wildlife ALBUM REVIEW
Listen: http://theneedledrop.com/2011/10/la-dispute-king-park/
Jonathan Mann’s Channel:
http://www.youtube.com/user/therockcookiebottom
La Dispute’s Wildlife is a fantastic and rewarding gauntlet of emotional rock music. Even if post-hardcore isn’t in your comfort zone, this album is worth a shot.
What do you think of this album? Love it? Hate it? Why? What should I review next, eh?
8/10 http://bit.ly/lovedlist
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FAV TRACKS: A DEPARTURE, EDIT YOUR HOMETOWN, KING PARK, SAFER IN THE FOREST / LOVE SONG FOR POOR MICHIGAN, I SEE EVERYTHING, EDWARD BENZ, 27 TIMES
LEAST FAV TRACK: THE MOST BEAUTIFUL BITTER FRUIT
LA DISPUTE- WILDLIFE / 2011 / NO SLEEP / POST-HARDCORE, PUNK, EMOCOREWHATEVER
Y’all know this is just my opinion, right?
Duration : 0:6:23
Why did U2′s Pop album get such terrible reviews?
I bought it just now 9:00 AM, and it’s a great album. I dont why everyone hated it. Why did many critics give it bad reviews?
Because critics are useless.
Rob Wells, President, Global Digital Business, Universal Music Group
Rob Wells, President of Global Digital Business at Universal Music Group joins Ian Rogers in the studio to talk about UMG’s gobal initiatives in the digital music space. The conversation includes streaming services, the difficulties various international music markets present, what entrepreneurs should know when approaching and doing business with UMG or their like, and finally, what new services and music Rob loves right now! Lots of great discussion in this episode.
Thanks as always to billboard.biz for being our media partner!
0:53 – Introducing Rob Wells
3:00 – How Rob ended up at UMG
10:45 – What Rob learned by having to have a digital music business in another part of the world
17:00 – How Rob found subscription service models to be worthwhile for UMG
31:15 – “50% of the market isn’t interested in music at all!”
34:25 – How does Rob go about deciding what digital tracks UMG makes available online in various forms
40:55 – What does the landscape look like for entrepreneurs approaching labels and what do the labels want to hear when an entrepreneur approaches them with a new idea?
47:06 – What are some of the more interesting and exciting services going on worldwide that Rob is excited about?
50:57 – What is the key value a company like UMG brings as opposed to an indie label or DIY?
53:20 – When shouldn’t I sign with UMG?
54:00 – What music Rob loves at the moment
Duration : 0:56:49
Jimi Hendrix Country Blues
with JRDs Creature Creations
Duration : 0:8:27
T Model Ford | Live | Deep Blues Festival III | Summer ’09 | with Gravel Road
T-Model’s credentials are impeccable; if anything he’s over qualified. He was born James Lewis Carter Ford in Forrest, a small community in Scott County, Mississippi. T-Model thinks he’s seventy-five but isn’t sure. He was plowing a field behind a mule on his family’s farm by age eleven, and in his early teens he secured a job at a local sawmill. He excelled and was later recruited by a foreman from a bigger lumber company in the Delta, near Greenville, and eventually got promoted to truck driver. During the time he spent driving and working in a log camp, T-Model ran into trouble, and was eventually sentenced to ten years on a chain-gang for murder. He lucked out and was released after serving two. He says, grinning, “I could really stomp some back then, stomp it good. I was a-sure-enough dangerous man.” When asked how many times he’d been to jail, T-Model responded, “I don’t know. How many?” He seemed to think it might be a trick question. Upon realizing it wasn’t, he answered to the best of his ability. “Every Saturday night there for awhile.” As disheartening as this is, it’s also a refreshing reminder of how ridiculous the present image of a bluesman is. Nothing could be more twisted than the romanticized and picturesque standard…an old black man devoid of anger and rage happily strumming an acoustic guitar on the back porch of his shack “in that evening sun”. T-Model couldn’t be further from this fabricated image. At 3/4 of a century old and with a dislocated hip, hes still cussing, fighting, and outdrinking men a quarter his age. Spam to his friends,Tommy Lee Miles to the authorities, he has been T-Model’s A-number-one drummer for the past eight years. T-Model and Spam are the only men still playing on Greenville’s Nelson Street. Most of the audience has scattered due to violence from the crack trade, and with the exception of T-Model, the street that once boasted Booba Barnes and others is dead. On a typical night Spam and T-Model will arrive at the club and unpack T-Model’s guitar and amp, and the bass drum and snare he allows Spam to use. When T-Model feels there are enough people, they start banging away in their own post-war Peavey-powered hill stomp. It’s nothing unusual for T-Model to play eight hours a night. They keep going until no one’s left standing. After his equipment’s packed up T-Model will coat himself with Off and climb into his van to crash.
Duration : 0:5:21
Stand By Me – completely unknown artists
If this video doesn’t bring a tear to your eyes and makes you smile for the rest of the day, you are a cold hearted bastard. Watch it from beginning to end—you won’t regret it.
This cover of Stand By Me was recorded by completely unknown artists in a street virtual studio all around the world. It all started with a base track—vocals and guitar—recorded on the streets of Santa Monica, California, by a street musician called Roger Ridley. The base track was then taken to New Orleans, Louisiana, where Grandpa Elliott—a blind singer from the French Quarter—added vocals and harmonica while listening to Ridley’s base track on headphones. In the same city, Washboard Chaz’s added some metal percussion to it.
And from there, it just gets rock ‘n’ rolling bananas: The producers took the resulting mix all through Europe, Africa, and South America, adding new tracks with multiple instruments and vocals that were assembled in the final version you are seeing in this video. All done with a simple laptop and some microphones.
I don’t know about you, but it blew me away. Best version of Ben E. King’s classic I’ve ever heard in my life.
Duration : 0:5:27
LANA DEL REY-BLUE JEANS
Video Games/Blue Jeans available on iTunes Worldwide now: http://bit.ly/LanaiTunes
http://www.lanadelrey.com
http://www.facebook.com/lanadelrey
http://www.myspace.com/lanadelrey
THANK YOU SO VERY VERY MUCH TO THE FILM MAKERS WHO INSPIRED THIS VIDEO AND WERE SO GRACIOUS WITH THEIR MATERIAL. ESPECIALLY TO LAWRENCE FERLINGHETTI & MGM STUDIOS, CHAD TASKY & STEVEN GERLOCK.
ALSO:
Monte Carlo, Monaco Super 8 footage courtesy of Chad Tasky
Fireworks footage courtesy of Epic Fireworks and David DeSafey
Rose Petals Falling footage courtesy of Silverio Ortega
A Movie Star Without a Cause courtesy of Charles Meyer
Butterfly footage courtesy of Sander van den Berg djsanderdj
Chateau Marmont footage courtesy of Brian Carnduff
Broken Heart Flipbook footage courtesy of BloodyRenegadeX
beats of the heart footage courtesy of acuntonfmol Cristina Casanova
1957 Downtown Las Vegas at Night Footage courtesy of gerlock11
Road Trippin with Erin Brown trailer park footage of Erin Brown eringobrown
Rockin In My Chevy footage courtesy of Katt Productions
Wild Horse footage courtesy of Best Shot Footage
Time Lapse Rose courtesy of Neil Bromhall neilbromhall
Super 8 Ektachrome 100D footage courtesy of Art Leal x05e
New York City Super 8 Extachrome footage courtesy of Art Leal x05e
California 08: super8 film footage courtesry of Chris Gavin projectmedia
End Music by Justin Bianco courtesy of Magnatune
Friday Night on the Sunset Strip footage courtesy of Jeff Caffrey (StarWarsDork)
PD Cartoon footage courtesy of Adam Sargis MyFootage.com
beats of the heart footage courtesy of Cristina Casanova
End Music “The Sword of Truth” by Justin Bianco courtesy of Magnatune.com
LUV U
XXX
LDR
***********************
BLUE JEANS
WHITE SHIRT
WALKED INTO THE ROOM U KNOW U MADE MY EYES BURN
IT WAS LIKE, JAMES DEAN- FOR SURE
U SO FRESH TO DEATH & SICK AS CA-CANCER
YOU WERE SORTA PUNK ROCK, I GREW UP ON HIP HOP
BUT U FIT ME BETER THAN MY FAVOURITE SWEATER- AND I KNOW
THAT LUV IS MEAN, AND LUV HURTS
BUT I STILL REMEMBER THAT DAY WE MET IN DECEMBER- OH BABY!
*
I WILL LUV U TILL THE END OF TIME
I WOULD WAIT 1,000,000 YEARS
PROMISE U’LL REMEMBER THAT UR MINE
BABY CAN U SEE THROUGH THE TEARS
LUV U MORE
THAN THOSE BEFORE
SAY U’LL REMEMBER -OH BABY- SAY U’LL REMEMBER
I WILL LUV U TILL THE END OF TIME
*
BIG DREAMS
GANGSTER
SAID U HAD O LEAVE TO START UR LIFE OVER
I WAS LIKE- “NO PLEASE” STAY HERE
WE DON’T NEED NO MONEY WE CAN MAKE IT ALL WORK
BUT HE HEADED OUT ON MONDAY, SAID HE’D COME HOME SUNDAY
I STAYED UP WAITIN, ANTICIPATIN AND PACIN BUT HE WAS
CHASING PAPER
CAUGHT UP IN THE GAME-THAT WAS THE LAST I HEARD
*
CHORUS
*
HE WENT OUT EVERY NIGHT
AND BABY THAT’S ALRIGHT
I TOLD U THAT NO MATTER WHAT U DID I’D BE BY YOUR SIDE
CAUSE IM A RIDE OR DIE
WHETHER U FAIL OR FLY
WELL @ LEAST U TRIED.
BUT WHEN U WALKED OUT THAT DOOR- A PIECE OF ME DIED
I TOLD U I WANTED MORE-BUT THAT NOT WHAT I HAD IN MIND
I JUST WANT IT LIKE BEFORE
WE WERE DANCIN ALL NIGHT
THEN THEY TOOK U AWAY-STOLE U OUT OF MY LIFE
U JUST NEED TO REMEMBER….
THAT I WILL LUV U TILL THE END OF TIME
i promise
Duration : 0:3:58
Justice- Audio, Video, Disco ALBUM REVIEW
Listen: http://www.youtube.com/watch?v=lqBhgEQ4LT0&ob=av2e
On the sophomore Justice album, this French house duo starts emulating its influences–70s rock, pop, disco–with a mix of different results.
What do you think of this album? Love it? Hate it? Why? What should I review next, eh?
5/10
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FAV TRACKS: AUDIO, VIDEO, DISCO, BRIANVISION
LEAST FAV TRACK: CIVILIZATION
JUSTICE- AUDIO, VIDEO, DISCO / 2011 / ED BANGER / FRENCH HOUSE, ELECTRONIC, ROCK, POP, DISCO
Y’all know this is just my opinion, right?
Duration : 0:6:35
